30 PUNCHMAGAZINE.COM The Foster Museum in Palo Alto hosts children’s story times, public lectures and events like nature journaling and art making. Go to thefoster.org for more information or a free reservation. tion background, having ready access to the artist for questions about how to preserve their work is a boon. Not only is Tony transparent about his materials and methods—his palm-sized paint box, hiking boots and collection of paintbrushes are on display in The Foster—there’s no need to speculate when he’s just a phone call away. Alisa notes that a few of his paintings include marginalia, like an image of Chaco Canyon in New Mexico from Sacred Places. “These works are just so beautiful,” Alisa says, and then points out a series of small, quick brushstrokes outside the picture’s margins where Tony tested various colors in search of the right one. It’s clear Alisa relishes being part of her hometown community, where she’s also the chair of Palo Alto’s Historic Resources Board. “It’s a really wonderful time to be coming to this museum because the museum is so new,” she says of The Foster, which opened in 2016. After a pandemic closure, it’s definitely starting to hit its stride, she adds. “Being from Palo Alto, it’s a very special thing to be able to be a part of an institution like this, that can really reach out to the community, and can serve as a place of education and as a gathering place.” She notes the positive messages transmitted by Tony’s work: slowing down, taking a closer look at beautiful places around the world and cultivating the desire to preserve them. “I think those are really powerful concepts,” Alisa reflects, “and I’m really looking forward to helping people engage with them.” {punchline}
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